Do you think something is not right in your painting?
Or something is not up to your expectation?
>Don't demoralize! It's a common thinking that you can work on.<
Draw on the template or work on a sketch. Evaluate where you "enter and exit" the work and if it is the path, you want your observer to go trough. Define the relevant (focus) from the irrelevant (out of focus).
The relationship between the different sizes of the object is fundamental for the realism. Right proportions also helps me to draw the main parts in the right place.
Make a stop in the process, take a step back and view the creation from the distance. That allows you to create cognitively an objective perspective.
The eyes and the VIP art must rest. Like it or not, later this “time-out” lets you see other things in your art.
>Big question after this rest: Is it the path you want your observer to go trough? <
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